Italy / United States 2024, 77 min, English, Chinese and Italian, Hebrew & English subtitles

Can a musical piece from nearly a century ago still be relevant today? In his directorial operatic debut, Chinese artist Ai Weiwei explores this question through a radical interpretation of Giacomo Puccini’s final work, “Turandot.” To Ai Weiwei, “Everything is art, everything is politics,” and although he has no interest in operas, the artist who became a political dissident and a sharp critic of the regime in his country shows how staging a classical work of art at the Rome Opera House can be a form of social action that seeks to raise awareness and drive change. The film traces the fateful thread that connects Puccini’s creative vision and magnificent music to contemporary global crises; so fateful, in fact, that the crises jeopardize the production itself.

The screenings of this film have been made possible through the generous support of The Italian Cultural Institute in Tel Aviv.

Previous Festivals: Santa Barbara IFF, CPH:DOX, Minneapolis St. Pauls, Hot Docs

Official Website

Screening Schedule:
  • Sat 24.05 09:45, Cinematheque 3 Purchase
  • Thu 29.05 19:00, Cinematheque 3 Purchase

Maxim Derevianko has been the official filmmaker of the Teatro dell’Opera di Roma for many years. He has worked with internationally renowned directors such as Sofia Coppola, Emma Dante, William Kentridge, and Damiano Michieletto for opera and choreography. His sci-fi short film, BODYPIECES, garnered numerous international festival awards.

Production: Marta Zaccaron, Christine La Monte, Andy Cohen
Production Company: Incipit Films, La Monte Productions
Script: Michele Cogo, Maxim Derevianko
Editing: Emanuele Bonomi
Cinematography: Maxim Derevianko
Music: Marco Guazzone