Richard Davis shot himself in the abdomen 192 times to prove how effective his invention—a bulletproof vest—was. Charming and charismatic, he became a multi-millionaire and a cult phenomenon. The cracks in his funny, colorful anecdotes began to show when a policeman wearing one of his vests was shot and killed.
Of the Chelsea Hotel’s glorious, bohemian, scandalous past, mostly memories remain, and the aging residents who refuse to leave despite the renovations are holding on to those memories for dear life. At the heart of Manhattan, amid scaffolding and dust, they are a tiny island of eccentric creativity that refuses to die.
When an assassin shot her in the head at close range, nobody thought Gabby Giffords would recover, but she relearned to walk and talk, returned to public service, and continues to improve. Julie Cohen and Betsy West (RBG) joined her and her husband, astronaut Mark Kelly, on their remarkable journey.
Julia Child, the first-ever celebrity chef, rose to stardom at the age of 51, when Americans were still eating TV dinners. Her remarkable life story, charming personality, and passionate love affair with cooking are accompanied by amusing and inspiring clips from her iconic cooking shows.
When Robert Weide started making a film about Kurt Vonnegut, he was just a young fan. In 40 years of working together, the two became close friends, and their relationship sheds a new, personal, and fascinating light on the literary master’s tumultuous life story.
An immersive archival journey through the explosive New York music scene of the early 2000s. Meet Me in the Bathroom, tells the story of the last great romantic age of Rock’n’Roll through the prism of a handful of era defining bands; THE STROKES, LCD SOUNDSYSTEM, YEAH YEAH YEAHs, INTERPOL
Pauli Murray was there before (almost) all the others. A poet, lawyer, activist, scholar, and Black queer person, Murray paved the way for the big civil rights and women’s rights revolutions in the US. Julie Cohen and Betsy West paint the portrait of a true luminary.
In a daring experiment, American dance pop trio YACHT let an artificial intelligence compose their new album after feeding it their discography (hundreds of hours of music). Will the software turn out to be more talented, more original, or even more creative than the human musicians?
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